Note: This is an archived entry that’s over two years old. While I have ensured that all photos are restored, some links may no longer work. If you encounter any dead links, let me know and I’ll try to find a copy of the material.
First off, thanks to everyone for their patience while I was away, and as I continue to work on getting my computer repaired.
As I mentioned last time, Hugo Weaving and several castmates from STC’s Uncle Vanya were nominated for Helen Hayes theatre awards for their performances in the Washington DC run of the production. As many of you probably already know, Hugo indeed won the award for Best Supporting Performance in a Non-Resident Production. (Cate Blanchett took honors for Best Actress.) Of course, neither was able to pick up the award in person; Hugo continues his two-month run in Les Liaisons Dangereuses in Sydney while Cate continues touring in a different production, STC’s Gross Und Klein, in London.
But Hugo did comment on his nomination in the recent Elissa Blake interview conducted for the Sydney Morning Herald and its affiliated papers (more on that shortly), indicating he is touched by the honor and by the fact the play was so well-received and attended during its August run: “I presume they’re the Washington theatre awards?…So that’s really nice. It’s always lovely – we knew when we were there that the audiences really loved it and it was going very well, and they hadn’t – didn’t expect us to – in that particular period people tend to leave Washington and it’s not – apparently not a theatre time [of year]… theatre doesn’t [usually] do well in that period of time in Washington. But we did very well and we were getting a lot of feedback from audiences and very good reviews. … So we knew we’d been well received, and that was lovely; it’s really nice.”
You can read more on the Helen Hayes Awards at Variety, The Sydney Morning Herald, The Daily Telegraph, Theatre People, Theater Mania, The Australian, and ContactMusic. The Sydney Morning Herald piece included this lovely new photo of Hugo by James Brickwood, presumably taken during rehearsals for Les Liaisons Dangereuses.
Next, and possibly even more of a boon for fans, was the posting online of Elissa Blake’s full interview transcript of her conversation with Hugo during Liaisons rehearsals. While some of this material was posted in the Sydney Morning Herald and Herald Sun on 25 March and 3 April, a lot of it wasn’t, and a lot of what was was edited for space and succinctness. While this is standard practice in journalism, and Blake edited her interview judiciously, she’s done Hugo’s fans a great service by posting the full test to her blog, along with a great new photo of Hugo (below). Hugo doesn’t really speak in sound-bites; he gives answers full of thoughtful pauses, reflection and depth. His longer radio interviews are defined by these qualities, and by sharing what Hugo actually said in full, Blake allows us to better “hear his voice”, so to speak. I won’t copy the full text here, and a lot of it was already printed in the published pieces I mentioned, but I’ll give you a few excerpts, and you really should read the whole thing at her blog. (I know some of you probably have already.) 😉 It’s one of the most gratifying, in-depth Hugo interviews in the past few years, from an interviewer who understands what’s really important to him. Comments in brackets are mine.
On Cloud Atlas:
“…Well, this is a huge film that’s directed by Lana and Andrew Wachowski, who directed The Matrix and V For Vendetta that I did, and also Thom Tykwer, who’s a German director – he directed a film called Run Lola Run, amongst other films – and you know from the book there’s six separate stories, so – it’s a huge cast. We filmed it in Berlin and Majorca and Glasgow and in Saxony, but mostly in Berlin, and the six stories take place in different time zones, different geographies, but they’re told more like in a mosaic way rather than the way they are in the book, and the actors were playing more than one role, so many of us had one role in each story and it’s like souls reborn through time, which is sort of suggested in the book….
There’s quite a lot of prosthetic changes we were all undergoing, and it was a mad – well, it wasn’t mad, it was wonderful and fiendishly difficult and challenging and a great script and a wonderful experience… very difficult to make it work, but everyone knew that when they jumped in; and great, fabulous actors and a very exciting project, but fiendishly difficult; a big adventure.” [Sorry, no new character hints. 😉 Though Hugh Grant has been dropping a few on CinemaBlend and MTV.]
On The Hobbit:
“HW: Well, I was over there [in New Zealand] with Cate last year – we went for a couple of weeks around the same time just to do a small block. So, yeah, great to go back there again and see everyone. I think they’re still filming – they had a little period off and then went back into it, and they’re still all over there now.
Confirming he’s not interested in endless supervillain roles or Captain America sequels:
“EB: Will there be any more superheroes?
Hugo during Les Liaisons Dangereuses rehearsals
On his future artistic plans:
” EB: So is there anything else on the horizon that you can tell us about? I guess after this play, what happens for you –
On his off-hours:
“We were up at the farm [in Hunter Valley] about three weeks ago, just before we started this play. Katrina [Greenwood, his partner] and I were up there for about five or six days and just lots of – planted a whole lot of spotted gums, which is good, and put in another – we planted a walnut tree, actually, which is a bit bizarre because it’s not…native, but kind of interesting in that particular spot. And our macadamias are going so well up there, and the fig tree’s going so well, so we thought we may as well put in some other nut trees, so we put a walnut in and a hazelnut tree….[W]e flood up there regularly. It doesn’t affect the house– [it’s] just above the river, but it absolutely – no, we’ve been stuck up there a number of times, not able to get out. The bridge just before our property on the Williams River goes under in a flood – it’s designed to. So we’ve been cut off – I haven’t been able to get back for a couple of things on occasions.
To read Hugo’s thoughts on the pros and cons of theatrical acting, more on communing with nature (specifically fish), and what Hugo’s been reading/viewing lately, do read the full interview. And click on the image of Hugo atop the transcript on its source page a few times. You will be rewarded. 😉
Finally, there’s a new review of Les Liaisons Dangereuses at Northside Magazine online, which includes an interesting account of the actors’ professionalism during technical difficulties.
HOBBIT UPDATE: Elrond does indeed briefly appear in the 10 minutes of preview footage from The Hobbit which Peter Jackson recently screened at CinemaCon (Las Vegas, April 23.) One of Theonering.net‘s fearless informants was on hand and provides oodles of spoilery details on TORN’s website… unlike some early, contentious responses to the material (actually, mostly to the 48 FPS cinematography), these comments are very enthusiastic and heartening, from a fan who obviously knows Tolkien’s material inside and out but understands adaptations… well… must adapt novels in translating them to the big screen. 😉